balloon boy hoax escapism reality

What feelings did that spectacle evoke?
bloch opiate of the masses

The Parable of Balloon Boy

So many people pay so much attention to non-news, we usually try to balance that out and pay it no mind. Yet this 2009 article made an interesting conjecture about escapism. It was posted on The Nation Oct 19.

by Richard Kim

It was all a hoax, a fraud, a cynical and none too well concocted publicity stunt to bolster the Heene family's reality TV cachet. But there was something beautiful about the lie too, for like all lies the balloon boy story provided us with a release from reality, an escape. I don't mean to make light of viewers' fears that six-year-old Falcon Heene's life was in danger as his UFO-shaped vessel floated into the sky. But who can deny the element of wonder and envy evoked by that spectacle?

It seemed a myth from the beginning: the innocent child, guilty only of being too curious, transcending earth to join the heavens. He was too pure, too good for this world. Literature is full of such ascendant figures: Remedios the Beauty from Gabriel Garcia Marquez' One Hundred Years of Solitude who is too lovely for this world and so one day levitates away while folding laundry; Pascal, the French boy from The Red Balloon (1956), whose devotion to protecting his new friend from a gang of balloon-popping bullies is rewarded when all the balloons in Paris take him for a magical ride; and Jesus who, after his persecution and resurrection, ascends into heaven in front of his eleven disciples to sit at the right hand of God. Then there is the wife of Japanese prime minister Yukio Hatoyama, who wrote a book about how her soul took a ride "on a triangular-shaped UFO and went to Venus." According to Miyuki Hatoyama, "It was a very beautiful place, and it was really green."

Frankly, from where I'm standing, Venus sounds like a great place now:

When reality bites, who wouldn't want to gawk at the sight of a child rising into clouds, urge on the dramatic rescue, feel delight at news of his safety (if also a little cheated out of a narrative climax). German philosopher Ernst Bloch considered escapism a necessary element of radical social change; for him the project of dreaming utopia was a political act. But Balloon Boy, I think, represents something else, what Marx called the opiate of the masses. And hence the public's mounting anger at the Heene family for perpetrating this hoax. We were waken from our dream of escape, which itself turned out to be no dream at all, just an earthly machination.

Also see:

One philosophy, one administration, two serious crises
http://www.progress.org/2008/crash.htm

Washington Post survey shows faith misplaced?
http://www.progress.org/2008/survey.htm

The Quiet Coup
http://www.progress.org/2009/usbanks.htm

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